PERFORMING ~ 2008
[2010] [2009] [2008] [2007] [2006] [2005]
[2004] [2003] [2002] [2001] [2000] [1999] [1998] [1997]
4Home 4Bio 4Performing 4Composing 4Catalogue 4Program Notes 4Hear & See
4Past 4Workshops 4Discography 4Teachers 4Press Releases 4Awards 4Tours
4Photos 4Associations 4Links 4End
February 10 ~ Toronto
April 17 ~ Winnipeg
May 15 ~ Toronto
June 6 ~ Invermere, BC
August 31 ~ Winnipeg
September 18 ~ Brandon, Manitoba
November 2008 Newsletter
![]()
Sunday ~ February 10 ~ 2008 ~ Toronto
Canada's prima percussionist
Beverley Johnston
was invited by Ulla Colgrass and her Pulitzer Prize-winning composer husband, Michael Colgrass, to give a "recitalette" of about 45 minutes in their gracious home in Toronto, for a select audience of 25 - 30 people. Beverley
saw this as an outstanding opportunity to "workshop" some of my new works that she and I have been preparing to
premiere in the May 15th concert of my music in Heliconian Hall, in Toronto. I was delighted to be part of Bev's
concert at Colgrass's, and we've had a great time getting it together. We've had some invaluable help with the
theatrical aspects from George Bloomfield, in Toronto.
The featured piece we're "workshopping" is my duo for percussion, piano, spoken text and tape, Prodigies of the Nose, which uses texts from the writings of Diane Ackerman, Edmund Rostand (Cyrano de Bergerac), Helen Keller and some
of my own. I will also be workshopping a new solo piece of mine for spoken text, piano and small percussion called
Opening Windows. In this piece, about moods, the text is by Gertrude Stein. Her often bizarre texts are written for their sound and rhythm rather than for any meaning. My piece uses the same text and rhythm throughout, but as seen through different "windows" or moods - 12 of them!
Beverley will also be performing 2 solo works for percussion - To The Earth, by Fred Rzewski, for flower pots and voice, and Axion Esti, by George Kondogiorgosanother, for stamna (jug) and voice.
Diana McIntosh ~ Winnipeg 1-15-08
Scroll down to see Ulla's snaps of the concert
8:00 PM ~ Thursday ~ April 17 ~ 2008 ~ Winnipeg
Rolf Schulte, violin
and
James Winn, piano
the outstanding American duo/soloists
in a concert presented by
GroundSwell
New Music Now
curated by
Diana McIntosh
in a program of music by
Elliott Carter ~ Anton Webern ~ Fred Lerdahl
Mario Davidovsky ~ Michael Matthews
Diana McIntosh
also on the program
Trails of Gravity and Grace, for clarinet, cello and piano
by Calgary composer Allan Bell, performed by
Andrea Bell, cello ~ Pat Daniels, clarinet
Diana McIntosh, piano
Eckhardt-Gramatté Hall, University of Winnipeg
8:00 PM ~ Thursday ~ April 17 ~ 2008
Tickets: Adult: $19 ~ Senior: $17 ~ Student: $9
Ticket info ~ 943-5770
~
free parking available behind the CBC Building - access via lane off Young Street
~Music from this concert will be broadcast on CBC's "The Signal "
on Saturday May 31 with host Pat Carrabre
CV Arts
presents
SOLITARY CLIMB
an autobiographical theatrical musical show, with humour, about Diana McIntosh's
mountain climbing experiences and her parallel struggles with contemporary music
written and performed by
Canadian international theatrical performer/composer
Diana McIntosh
on Ophidian Glacier
Mistaya area, B.C., Canada
Lake O'Hara
Yoho National Park, BC
Canada
![]()
You are invited to experience DIANA MCINTOSH, the well known pianist, multi-media performance artist and composer of new music who entertains audiences with "serious fun”. Diana McIntosh (www.dianamcintosh.com) is widely recognized as distinctive, original and innovative with effervescent wit. She has performed throughout Canada, widely in the USA, England, Scotland, Ireland, France, Portugal, and Kenya. Her commissions for new music have included works for orchestra, chamber ensemble, choir, vocal and instrumental soloists, dance, mime and electronic tape. Diana will perform her own 50- minute creation Solitary Climb, a theatrical musical work that combines spoken text, piano and tape. It reflects parallels that she sees between her musical career and mountain climbing. In her words, “As an avid mountain hiker and climber, as well as a composer/ theatrical performer/pianist, I’ve found that mountains have been a direct or indirect influence on the music I create … I created Solitary Climb as an autobiographical work to show the relationships I feel between mountains and music – the adventure, the mystery, the tensions, the special techniques, the exhilaration of both.” Here are a few comments about Diana and her shows:
Diana McIntosh is a national treasure. She is a leading light for any composer, particularly for female composers, and she also brings a very welcome sense of humour and creativity to the concert stages of Canada. -------- Bravo TV News
…one of the wonders of the Canadian contemporary music world. Contemporary music is not often so engaging, entertaining and delightful. ---------The Halifax Chronicle-Herald
Diana McIntosh is an enormously creative woman - entertaining, resourceful, and courageous. - The Winnipeg Free Press
Invermere, BCChrist Church Trinity
7:30 PM Friday, June 6, 2008
Tickets: $21.00 adult ~ $10.00 student
(including reception following)
~
available at
Dave's Book Bar ~ Essentials ~ Pynelogs
Trims and Treasures - Fairmont N'Deco - Radium
and at the door
Co-sponsored by
Alice Hale
of
Caraway Pottery
Westside Road ~ Invermere
(250) 342-9504
November ~ 2008
Winnipeg ~ Canada ~ November ~ 2008
Hello Friends:
Summer has come and gone, and Fall too, almost, and they were good. After my season-closing solo concert in Invermere, B.C., in June, we spent about 3 weeks in the Rockies. A favorite place
was a super B&B in the East Kootnays at Crawford Bay, called Wedgwood Manor It’s a gem!
When we got home I wrote music for a lovely lullaby a friend in Invermere had written for her grand-children, and then I immersed myself in writing a solo percussion piece commissioned by Winnipeg’s rising star, Ben Reimer. Like much of my music, it was inspired by my experiences in the mountains, over the years. I called it Just Add Water and I delivered it to Ben in late August. I’m really looking forward to him premiering it in Brandon early in the new year.
I had a home concert with 25 or 30 invited guests on August 31st. It was great fun, one of the highlights being performances by Ana Riera - french horn, and her Mother, Carol Vaughan - piano, from Tulsa, Oklahoma. On September 18th I did a noon-hour performance for Brandon University, in Lorne Watson Hall. It was there that I premiered my theatrical work, Aunt Kate, a very deceptively poignant account of my pre-teen years when I spent several summers with my aunt Kate in her tiny cabin in Banff. She was very unpretentious, a free spirit and loved nature and animals - and me! I always like to have a chat with audiences after a performance - especially with students - and in this case they asked some good questions about the pieces I’d played.
![]()
At the end of September I went to the Banff Centre, in Banff, Alberta on a 3-week residency to work on composition, and as always, it proved to be a very productive time. It's an invaluable place for me because I can work hour after hour without any interruption. Grant came with me for the first time and worked equally long hours at his own projects on a laptop he acquired for the purpose. He also achieved a lot, but said the best part was escapimg all the poor meals at home when he is there alone! The weather was excellent in Banff, and the autumn clours in the leaves were at their fabulous best.
On the way home from Banff we took a 'shortcut' via Deadwood, South Dakota, to pay our respects to Wild Bill Hickok and Calamity Jane, who are buried there. You might remember that a coupleof years ago Bev Johnston and I performed a work a called Calamity Jane, by Quenten and Joyce Doolittle, of Calgary, so it was of special interest to us to see the Black Hills, and the narrow gulch the town sits in. Most touristy attractions were closed for the season in October, but the cemetry was open for foot traffic, and Bill's monument was irresistible! We chose secondary roads across Northern Montana and Wyoming, and the scenery was spectacular. The roads were excellent, and traffic was very light.
After that 1,000 mile shortcut we came more or less straight home and we are now dealing with all the email, etc., etc. that awaited us, and right now I'm continuing work on the piece I began at the Leighton Artist Colony in Banff. I'm also starting to put together a program of my music for a concert next May at the Heliconian Hall in Toronto, that will include a work-in-progress of the new piece, and other shorter pieces. I'm also preparing the program I'm curating for a GroundSwell concert, here, next April. The amazing Winnipeg saxophone and piano duo, Allen Harrington and Laura Loewen will be featured, and Canadian composers Allan Bell and Sid Robinovitch are both writing pieces for clarinet and piano that clarinetist Pat Daniels and I will premiere.
The weather has been absolutely wonderful this autumn, including when we were in Banff and in Wyoming and South Dakota. But this morning we awoke to this!
However,on the news this morning we heard that there's a raging blizzard in the Black Hills, with 3 feet of snow, so there's always something to be thankkful for!
My CDs are now available on CD Baby at - cdbaby.com/cd/dianamcintosh1 , a fascinating website well worth visiting.
And, speaking of worthwhile websites, have a look at mine!
![]()
![]()
![]()
![]()
One
of McIntosh's most popular theatrical musical works, her
satirical Eliptosonics,
is
a send-up of avant-garde program notes. Amy Duncan, a New York
reviewer, wrote, "Multimedia
performance is a natural outcome of the
age, and McIntosh is one of its important voices. Watch for her."
Diana McIntosh is,
in fact, a mountaineer. She combines music and mountains in a
full-evening
one-woman show Solitary
Climb, in which her audience shares
a daring experience "scaling the sheer face of new music."
A partial list of solo works by Diana McIntosh
available for performance on tour
(click here to see complete catalogue)
|
Solitary Climb,
1990, a one-woman music/theatre piece of new
music and mountains. Drawing on her mountain Eliptosonics, 1979,
theatre piece for piano and spoken Slipping the Bonds - From
Birds to Bondar,
1999, Aiby-Aicy-Aidyai, 1983, for toy piano and extended vocal techniques (5'). Doubletalk, 1983, for extended vocal techniques and electronic tape (5'). |
...and 8:30 in Newfoundland, 1985, theatre piece for extended vocal techniques, percussion & digital delay (10'). Glorified Chicken Mousse, 1984, a recipe piece by the composer's other persona, "Maude Pilly" (5'). Sampling the Communication Parameters in the Ambience of Structural Phrasing and Dynamics in Contemporary Music, 1986, a theatre piece for spoken voice, piano (12'). McIntosh the Stein Way,
1992, for spoken text, piano, digital delay and movement. Text of
Gertrude Stein (45') In A Sense,
1994, for spoken text, thumb piano and percussion. Text by Diane
Ackerman (18'). Beryl
Markham - Flying West with the Night,
1995, for spoken text, piano and tape. Text by Beryl Markham
(50'). |



469
Kingston Cr., Winnipeg, Canada
R2M 0V1
Tel: (204) 233-4163 Fax: (204) 237-3773
mcint@mts.net
![]()