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Performances in 2001
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January 23, 2001
Winnipeg Symphony Orchestra's Centara New Music Festival

Centennial Hall, Winnipeg

Through the Valley: Milgaard   McIntosh has just completed the writing of this orchestral work, and she will be the guest pianist/narrator in its premiere performance with the Winnipeg Symphony Orchestra, which commissioned the work through the Manitoba Arts Council.

The epic struggle of Joyce Milgaard to free her son David who was wrongly imprisoned for 23 years was McIntosh's inspiration and focus for the writing of this 25-minute work. Maestro Bramwell Tovey was so moved by Joyce Milgaard's book, A Mother's Story, that he asked McIntosh, a long time friend of Milgaard, if she would like to write an orchestral work about it.



March 13, 2001
Jean McNulty Recital Hall
Wm. H. Buset Centre for Music and Visual Arts
Lakehead University
Thunder Bay, Ontario


March 15, 2001
The Music Gallery
St. George-the-Martyr
Toronto, Ontario

        

March 24, 2001
National Aviation Museum
Ottawa, Ontario


Slipping The Bonds - From Birds to Bondar   This is McIntosh's recently written one-woman theatrical musical tribute to Roberta Bondar, Canada's first woman astronaut. McIntosh will perform this 55-minute show at the above venues.

This theatrical work is a celebration of the development of flight - from monks jumping and flapping off monastery walls to Bondar's rocketing into orbit. It is written for live spoken text, acoustic piano (or electronic piano), percussion, and electronic music which is mixed with Bondar's voice from an interview with McIntosh.

March 31, 2001
Eckhardt Gramatte Hall
University of Winnipeg


In a concert titled "Another Look to Spain", presented by GroundSwell,      Winnipeg's new music series of which McIntosh is a Co-Artistic Director, she will perform the following solo piano works:

Agregats Sonores, etude III ................... Maurice Ohana
Suburbis .............................................. Federico Mompou

Concert Curator for this program of solo piano works by lesser-known Spanish composers is GroundSwell's guest curator Jose Evangelista, of Montreal.


November 23, 2001
Rolston Recital Hall
The Banff Centre
Banff, Alberta

The Rolston Hall Series, of The Banff Centre, presented the premiere of McIntosh's Wenkchemna, for flute, violin, english horn, cello and 2 narrators.  The Banff Centre had commissioned the work which includes text from The Fells of Brightness, by the late Banff poet Jon Whyte.  McIntosh was one of the narrators.

Other presenters please note availability, for your venues,
of performances and workshops by Diana McIntosh.


mountains and Maude



One of  McIntosh's most popular theatrical musical works, her satirical Eliptosonics, is a send-up of avant-garde program notes.  Amy Duncan, a New York reviewer, wrote, "Multimedia performance is a natural outcome of the age, and McIntosh is one of its important voices.  Watch for her."



Diana McIntosh is, in fact, a mountaineer. She combines music and mountains in a full-evening one-woman show Solitary Climb,in which her audience shares a daring experience "scaling the sheer face of new music."



Maude Pilly (Diana's alter-ego, and Manitoba's Sarah Binks) comes from remote Dandelion, Manitoba. She is a folksy and entertaining composer/performer.


A partial list of solo works by Diana McIntosh
available for performance on tour:

Solitary Climb, 1990, a one-woman music/theatre piece of new music and mountains. Drawing on her mountain climbing experience, McIntosh has created a multi-
media work that combines spoken text, original music
 for piano, tape, and magnificent slides of climbs she
 has made.  Text and music by McIntosh  (45').

Eliptosonics, 1979, theatre piece for piano and spoken voice (8') with slides, tape (13').

Slipping the Bonds - From Birds to Bondar, 1999,
 for spoken text, piano and tape.  Text prepared from
 tape of an interview McIntosh had with Roberta
 Bondar, Canada's first woman astronaut  (60').

Aiby-Aicy-Aidyai, 1983, for toy piano and extended vocal techniques (5').

Doubletalk, 1983, for extended vocal techniques and electronic tape (5').

...and 8:30 in Newfoundland, 1985, theatre piece for extended vocal techniques, percussion & digital delay (10').

Glorified Chicken Mousse, 1984, a recipe piece by the composer's other persona, "Maude Pilly" (5').

Sampling the Communication Parameters in the Ambience of Structural Phrasing and Dynamics in Contemporary Music, 1986, a theatre piece for spoken voice, piano (12').

McIntosh the Stein Way, 1992, for spoken text, piano, digital delay and movement.  Text of Gertrude Stein  (45')

In A Sense, 1994, for spoken text, thumb piano and percussion.  Text by Diane Ackerman  (18').

Beryl Markham - Flying West with the Night, 1995, for spoken text, piano and tape.  Text by Beryl Markham (50').

eliptpsonics

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2001

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 revised 11-24-03
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